Serendipity Pattern of Geomyths Capter III. part 1
III. -1 Basalt Column
2018
Wood planks, glue, basalt sand. 30x30x300cm
“Basalt is a brownish rock of igneous origin. It assumes regular forms, the arrangement of which is often very surprising. Here nature had done her work geometrically, with square and compass and plummet. Everywhere else her art consists alone in throwing down huge masses together in disorder. You see cones imperfectly formed, irregular pyramids, with a fantastic disarrangement of lines; but here, as if to exhibit an example of regularity, though in advance of the very earliest architects, she has created a severely simple order of architecture, never surpassed either by the splendours of Babylon or the wonders of Greece.
I had heard of the Giant’s Causeway in Ireland, and Fingal’s Cave in Staffa, one of the Hebrides; but I had never yet seen a basaltic formation.
At Stapi I beheld this phenomenon in all its beauty.
The wall that confined the fiord, like all the coast of the peninsula, was composed of a series of vertical columns thirty feet high. These straight shafts, of fair proportions, supported an architrave of horizontal slabs, the overhanging portion of which formed a semi-arch over the sea. At. intervals, under this natural shelter, there spread out vaulted entrances in beautiful curves, into which the waves came dashing with foam and spray. A few shafts of basalt, torn from their hold by the fury of tempests, lay along the soil like remains of an ancient temple, in ruins for ever fresh, and over which centuries passed without leaving a trace of age upon them.”
- Jules Verne, Journey to the Centre of the Earth
III. -1 Basalt Column
2018
Wood planks, glue, basalt sand. 30x30x300cm
“Basalt is a brownish rock of igneous origin. It assumes regular forms, the arrangement of which is often very surprising. Here nature had done her work geometrically, with square and compass and plummet. Everywhere else her art consists alone in throwing down huge masses together in disorder. You see cones imperfectly formed, irregular pyramids, with a fantastic disarrangement of lines; but here, as if to exhibit an example of regularity, though in advance of the very earliest architects, she has created a severely simple order of architecture, never surpassed either by the splendours of Babylon or the wonders of Greece.
I had heard of the Giant’s Causeway in Ireland, and Fingal’s Cave in Staffa, one of the Hebrides; but I had never yet seen a basaltic formation.
At Stapi I beheld this phenomenon in all its beauty.
The wall that confined the fiord, like all the coast of the peninsula, was composed of a series of vertical columns thirty feet high. These straight shafts, of fair proportions, supported an architrave of horizontal slabs, the overhanging portion of which formed a semi-arch over the sea. At. intervals, under this natural shelter, there spread out vaulted entrances in beautiful curves, into which the waves came dashing with foam and spray. A few shafts of basalt, torn from their hold by the fury of tempests, lay along the soil like remains of an ancient temple, in ruins for ever fresh, and over which centuries passed without leaving a trace of age upon them.”
- Jules Verne, Journey to the Centre of the Earth
